Ballet Philippines’ 55th season came to a breathtaking close with “Ang Panaginip,” an original full-length Filipiniana ballet that redefined the traditional fairytale. For Carby Rose Basina of GMA News Online, “the show fuses cultural heritage with the power of self-discovery, presenting a story that speaks to the modern Filipina and her limitless potential.”
A Story of Self-Discovery and Freedom
At the heart of “Ang Panaginip” is the story of 18 princesses, each symbolizing a region in the Philippines. Unlike typical fairy tales where princesses await rescue, these young women take control of their own destinies. Through a mysterious portal, they escape the confines of royal life and enter an enchanted world where they can finally pursue their true aspirations—whether as a violinist, ballet teacher, doctor, or astrologer. This powerful reimagining resonated deeply, serving as a tribute to Filipinas who challenge societal norms and carve their own paths.
Breaking Away from Traditional Narratives
Ballet Philippines President Kathleen Liechtenstein shared with GMA News Online that “Ang Panaginip” was deliberately crafted to break away from conventional narratives. “We aimed to present a not-so-conventional fairytale—this Filipina princess does not need a Prince Charming to save her—showcasing the reasons to celebrate the multi-hyphenate modern Filipina,” she explained. This vision was seamlessly woven into the ballet, from its storyline to its intricate costumes that represented the country’s diverse cultural heritage.
As the production took shape, the creative team envisioned each princess as an embodiment of the Philippines’ 18 regions. More than just characters, they became symbols of every Filipina who refuses to be confined by tradition and instead embraces her individuality. Their journey reflected the universal struggle of women striving for self-discovery while honoring their roots. “Despite their differences, they have a common dream—to live beyond the confines of their palace walls and pursue their goals while remaining authentic to themselves,” Liechtenstein emphasized.
Fashion as a Storytelling Tool
One of the most striking elements of “Ang Panaginip” was its use of fashion as a storytelling tool. Renowned designer Jor-el Espina, known for his advocacy of indigenous textiles, collaborated closely with Ballet Philippines to create costumes that were both elegant and deeply rooted in Filipino culture. He sourced fabrics from his personal 20-year-old collection, incorporating intricate beadwork and regional patterns. The result was a stunning visual display that complemented the dancers’ movements, reinforcing the ballet’s message of cultural pride and individuality.
“Through Jor-el’s enduring love for Filipino design and BP’s Artistic Director Mikhail Martynyuk’s neo-classical choreography, it was a perfect collaboration with Ballet Philippines,” Liechtenstein noted.
A Celebration of Identity and Dreams
Basina writes, “More than a ballet, ‘Ang Panaginip’ is an invitation for audiences, especially those from the provinces, to see themselves in the characters and embrace the rich cultural tapestry of the Philippines.”
The production not only showcased the artistry of Filipino dance but also sent a powerful message about self-empowerment and the richness of Philippine heritage. It reminded viewers that the Filipino identity is woven together by personal dreams and collective aspirations.As the final act unfolded and the dancers took their bows, Ang Panaginip left an undeniable impact. The performance was a testament to the evolving narrative of the Filipina—one of strength, ambition, and boundless potential. Through this ballet, Ballet Philippines not only honored tradition but also redefined what it means to dream. Read Carby Rose Basina’s full story of “Ang Panaginip” in GMA News Online.
