Meet Ana, an OFW nurse whose story we brought to life through dance in Limang Daan. Her grace and resilience mirror the spirit of ballet itself. Mabuhay ang manggagawang Pilipino!
Author: Ballet Philippines
Today, April 9th, we honor the courage and sacrifice of the brave men and women who stood their ground in Bataan during World War II. Their unwavering spirit, forged in the crucible of war, serves as a lasting reminder of the price of freedom and the resilience of the Filipino people.
At Ballet Philippines, we pay tribute to their heroism not only through remembrance but through action—by sharing the transformative power of dance, art, and culture with our modern-day heroes. Through our Men in Uniform program, we open the doors of the theater to members of the Armed Forces, inviting them into a world where movement speaks the language of history, hope, and healing.
Each performance becomes more than a show; it becomes a living celebration of the very freedom our soldiers fought to protect. It is in these moments—when curtains rise and stories unfold—that we remember not only the past but also reaffirm our commitment to honor those who serve today.
This ongoing tribute was beautifully reflected during the gala night of Christmas Fairytales, where Ballet Philippines President Kathleen Liechtenstein welcomed guests from the Philippine Air Force. Their presence served as a powerful reminder that the strength of a nation lies not only in its defense, but in the unity of its people through shared culture and expression.
Through dance, we honor our heroes—past and present—and ensure that their legacy lives on in every step, every story, and every stage.
A SEASON OF GLOBAL IMPACT
This year, Ballet Philippines steps onto some of the most prestigious stages worldwide, amplifying the voice of Filipino artistry like never before:
World Expo Osaka 2025: Proudly performing at the Philippine Pavilion for six months, showcasing the brilliance of Filipino dance to the world by showcasing DIYOSA, an enchanting fusion of mythology, sustainability, and imagination.
Ballet Philippines Wows Greece: Celebrating two extraordinary cultures through grace and storytelling, where we will premiere LIMANG DAAN, a tribute to the 75th anniversary of Philippine-Greek relations.
Ballet Philippines Goes to Europe: Captivating audiences in Budapest, Prague, Slovakia, and Bratislava, bridging nations through dance, a rare opportunity to share the soul of Filipino dance with audiences across the world.
Wherever we go, we carry the spirit of the Philippines with us. At home and across continents, we are breaking new ground, inspiring generations, and redefining the future of dance.
A SEASON OF BOUNDLESS BALLET
Ballet Philippines’ new season redefines storytelling through movement—where timeless fables, rich heritage, and fearless creativity collide. From enchanted forests to surreal dreamscapes to the resilient spirit of an island people, each performance is a world waiting to unfold. Experience the thrill of Peter & the Wolf and Little Red Riding Hood, where shadows and innocence cross paths in a spellbinding fusion of dance, theater, and live orchestration. Step into the topsy-turvy brilliance of Alice in Wonderland, where Ballet Philippines brings its own magical interpretation of the beloved classic to life through whimsical choreography, surreal visuals, and enchanting storytelling. Witness Ivatan, a groundbreaking tribute to the strength and soul of the Ivatan people, set against the breathtaking landscapes of Batanes.
With bold choreography, powerful storytelling, and an unrelenting spirit of innovation, Ballet Philippines invites you to a season like no other. This is movement. This is culture. This is ballet without limits.
PETER & THE WOLF AND THE LITTLE RED RIDING HOOD
For the first time in Philippine stage history, Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra unite to bring two beloved childhood tales to life. Deep in an enchanted forest, innocence meets danger in a breathtaking fusion of dance, music, and theater. This bold retelling reimagines classic storytelling with thrilling new dimensions.
ALICE IN WONDERLAND
Fall down the rabbit hole and into Ballet Philippines’ enchanting original holiday treat—a magical adaptation of Lewis Carroll’s timeless tale. Set in a whimsical world where logic bends and imagination takes center stage, this festive production comes to life with playful choreography, surreal sets, and a captivating score. A spellbinding journey for audiences of all ages, Alice in Wonderland is the perfect holiday escape into wonder and delight.
IVATAN
A first-of-its-kind ballet inspired by the Ivatan people, this production honors a culture built on strength, resilience, and deep harmony with nature. Set against the wind-swept landscapes of Batanes, Ivatan is a powerful tribute—a love letter to a people who have weathered the storms of time with unwavering grace.
As we step into our 56th Season, OUR STAGE, THE WORLD, defines our vision. Every performance is a tribute to the limitless spirit of Filipino artistry, carried onto global stages with pride. This is not just a season—it is a shared purpose that unites us all.
Ballet Philippines recently performed at a special celebration of Greek National Day, hosted by Greek Ambassador Ioannis Pediotis and Mrs. Aliki Pappá. The event marked 75 years of diplomatic ties between the Philippines and Greece, highlighting their enduring friendship through the universal language of dance. The company presented an excerpt from “Ang Panaginip,” choreographed by Artistic Director Mikhail Martynyuk, a piece that embodies dreams and self-expression—serving as a tribute to both nations’ artistic heritage.
Beyond showcasing Filipino talent, the performance carried deep diplomatic significance, reinforcing the role of the arts in fostering cross-cultural connections. “Dance transcends language and speaks directly to the heart,” said Ballet Philippines President Kathleen Liechtenstein, emphasizing its power to unite people. She expressed hope that this event would inspire future collaborations between Filipino and Greek artists. More than just a performance, Ballet Philippines’ participation was a testament to how culture can bridge nations, celebrating shared traditions and strengthening international bonds.
Daily Tribune shares that “Ang Panaginip” was a love letter to Philippine heritage that was brought to life through a neo-ballet, intertwining movement with the vibrant beauty of the fabrics of our culture. Ballet Philippines presented a fresh, celebratory production — one that delighted the senses, uplifted the spirit and reimagined Filipino dance with a modern, visually captivating flair.
The gala evening was a stunning showcase of Filipino artistry and elegance. Guests arrived in exquisite Filipiniana, setting the stage for a performance that honored cultural heritage with grace and sophistication. Ballet Philippines President Kathleen Liechtenstein welcomed audiences, emphasizing that the production celebrated the modern Filipina—one who dares to dream without limits, defies expectations, and takes charge of her own destiny. The ballet’s narrative unfolded with a libretto by Mawi de Ocampo, original music by Glenn Aquias, an AI-driven set design, and choreography by Artistic Director Misha Martynyuk. However, it was Jor-el Espina’s breathtaking Filipiniana costumes that emerged as one of the evening’s most striking elements, blending tradition with innovation through masterfully crafted designs inspired by the country’s diverse regions.Read Daily Tribune’s full story by Luis Espiritu: ‘Ang Panaginip’: You fuel our passion, lift our artistry, and help us extend the inspiring power of ballet.
Mercedes Zobel, Sheree Chua, Kathleen Liechtenstein, Jor-el Espina and Lulette Monbiot
Ballet Philippines’ season finale, “Ang Panaginip,” was more than just a ballet—it was a grand celebration of Filipino heritage, where movement, music, and fashion intertwined seamlessly. As the lights dimmed at The Theatre at Solaire, the audience was treated not only to a spectacular neo-classical ballet but also to a breathtaking display of Filipiniana elegance, both on and off the stage.
Sheree Chua, Anna Sobrepeña, Mercedes Zobel, Lulette Monbiot, Kathleen Liechtenstein and Bernadette Aboitiz
An Evening Of Filipiniana Elegance
From the moment guests arrived, it was clear that “Ang Panaginip” was no ordinary performance. The Board of Trustees of Ballet Philippines, along with distinguished guests and patrons, came dressed in exquisite Filipiniana ensembles, mirroring the breathtaking costumes that would soon grace the stage.
Sheree Chua and Tiffany Chua Copok
The theater lobby transformed into a showcase of Philippine fashion, with intricately embroidered ternos, barongs woven from piña fabric, and modern interpretations of traditional attire setting the tone for an evening steeped in culture and artistry.
Lulette Monbiot and Mercedes Zobel
As the 1,740-seat theater filled, the anticipation was palpable. Ballet Philippines President Kathleen Liechtenstein welcomed the audience, sharing the vision behind “Ang Panaginip.”
“Tonight, we celebrate the Filipina—one who dares to dream without limits, boldly defies expectations, and rewrites her own happy endings,” she declared. “Through a new original Filipiniana ballet, ‘Ang Panaginip’ pays tribute to our heritage, with stunning costumes by Jor-el Espina, music by Glenn Aquias, a libretto by Mawi de Ocampo, and choreography by our Artistic Director, Misha Martynyuk.”
Mercedes Zobel and Stanley Ng
The Magic of Jor-el Espina’s Designs
At the heart of the production was Espina’s masterful costume design. A celebrated advocate of indigenous textiles, Espina brought his passion for Philippine craft to life by creating ensembles that represented the diverse regions of the country. His designs blended traditional weaves with modern silhouettes, resulting in a visual feast of rich textures, bold hues, and exquisite detailing.
Lauren Liechtenstein, Kathleen Liechtenstein, Jor-el Espina and Bernadette Aboitiz
Espina sourced fabrics from his personal 20-year collection, integrating intricate beadwork, handwoven fabrics, and classic Filipiniana elements. Each princess’s costume reflected the region she symbolized, reinforcing the ballet’s tribute to the country’s rich cultural tapestry. As the dancers twirled and leaped across the stage, their costumes flowed like moving art, adding depth and vibrancy to every scene.
Anna Sobrepeña, Atty. Lorna Kapunan, and Jo Ann Bitagcol | Vicky Santos, Bernadette Aboitiz and Lauren Liechtenstein
An Enchanting Fusion of Tradition and Innovation
“Ang Panaginip” was more than just a nostalgic nod to Filipino culture—it was a fresh and modern interpretation of heritage through dance. The production moved beyond conventional folk influences, incorporating neo-classical ballet, dance pantomime, and contemporary movement. Artistic Director Martynyuk shared, “As part of our 55th Season themed Relevé, which signifies rising to new heights, this production embodies both ascent and transformation.”
Mikhail Martynyuk and Elya Martynyuk
He revealed that the set design was inspired by Philippine landscapes, including the breathtaking Seven Falls in Lake Sebu. This fusion of natural beauty and artistic imagination transported the audience into a dreamlike world, where storytelling and movement became one.
Philip Monbiot and Lulette Monbiot
A Triumph of Filipino Artistry
As the final notes of the original score played and the dancers took their bows, the audience erupted into applause. More than just a performance, “Ang Panaginip” was an immersive experience—one that highlighted Filipino talent, creativity, and cultural pride.
Maribel Calma and Carlo Calma
With Ballet Philippines’ Board of Trustees and guests fully embracing the theme through their own stunning Filipiniana attire, the evening was a true testament to the power of art in uniting tradition with contemporary expression. In celebrating the beauty of Philippine fashion, dance, and storytelling, “Ang Panaginip” proved that dreams—like heritage—are meant to be lived and shared.
Ballet Philippines’ 55th season came to a breathtaking close with “Ang Panaginip,” an original full-length Filipiniana ballet that redefined the traditional fairytale. For Carby Rose Basina of GMA News Online, “the show fuses cultural heritage with the power of self-discovery, presenting a story that speaks to the modern Filipina and her limitless potential.”
A Story of Self-Discovery and Freedom
At the heart of “Ang Panaginip” is the story of 18 princesses, each symbolizing a region in the Philippines. Unlike typical fairy tales where princesses await rescue, these young women take control of their own destinies. Through a mysterious portal, they escape the confines of royal life and enter an enchanted world where they can finally pursue their true aspirations—whether as a violinist, ballet teacher, doctor, or astrologer. This powerful reimagining resonated deeply, serving as a tribute to Filipinas who challenge societal norms and carve their own paths.
Breaking Away from Traditional Narratives
Ballet Philippines President Kathleen Liechtenstein shared with GMA News Online that “Ang Panaginip” was deliberately crafted to break away from conventional narratives. “We aimed to present a not-so-conventional fairytale—this Filipina princess does not need a Prince Charming to save her—showcasing the reasons to celebrate the multi-hyphenate modern Filipina,” she explained. This vision was seamlessly woven into the ballet, from its storyline to its intricate costumes that represented the country’s diverse cultural heritage.
As the production took shape, the creative team envisioned each princess as an embodiment of the Philippines’ 18 regions. More than just characters, they became symbols of every Filipina who refuses to be confined by tradition and instead embraces her individuality. Their journey reflected the universal struggle of women striving for self-discovery while honoring their roots. “Despite their differences, they have a common dream—to live beyond the confines of their palace walls and pursue their goals while remaining authentic to themselves,” Liechtenstein emphasized.
Fashion as a Storytelling Tool
One of the most striking elements of “Ang Panaginip” was its use of fashion as a storytelling tool. Renowned designer Jor-el Espina, known for his advocacy of indigenous textiles, collaborated closely with Ballet Philippines to create costumes that were both elegant and deeply rooted in Filipino culture. He sourced fabrics from his personal 20-year-old collection, incorporating intricate beadwork and regional patterns. The result was a stunning visual display that complemented the dancers’ movements, reinforcing the ballet’s message of cultural pride and individuality.
“Through Jor-el’s enduring love for Filipino design and BP’s Artistic Director Mikhail Martynyuk’s neo-classical choreography, it was a perfect collaboration with Ballet Philippines,” Liechtenstein noted.
A Celebration of Identity and Dreams
Basina writes, “More than a ballet, ‘Ang Panaginip’ is an invitation for audiences, especially those from the provinces, to see themselves in the characters and embrace the rich cultural tapestry of the Philippines.”
The production not only showcased the artistry of Filipino dance but also sent a powerful message about self-empowerment and the richness of Philippine heritage. It reminded viewers that the Filipino identity is woven together by personal dreams and collective aspirations.As the final act unfolded and the dancers took their bows, Ang Panaginip left an undeniable impact. The performance was a testament to the evolving narrative of the Filipina—one of strength, ambition, and boundless potential. Through this ballet, Ballet Philippines not only honored tradition but also redefined what it means to dream. Read Carby Rose Basina’s full story of “Ang Panaginip” in GMA News Online.
For Anna Isabel C. Sobrepeña, Ballet Philippines’ “Ang Panaginip” was more than just a performance—it was a mesmerizing fusion of movement, music, and cultural artistry. As she witnessed the company’s 55th season finale unfold, she was struck by the seamless interplay of dance and design, set against a backdrop of Philippine heritage.
The evening began with a vibrant cocktail reception at The Theatre at Solaire, where guests arrived in elegant, modern interpretations of the national dress. The anticipation was palpable, and the theater itself became a stage for celebrating Filipino artistry even before the curtain rose. Once inside, Sobrepeña was transported into a dreamlike world where choreography and costume combined to tell a uniquely Filipino story.
Homage to traditional craftsmanship
A highlight of the production was the collaboration between Ballet Philippines and designer Jor-el Espina, whose costumes masterfully incorporated indigenous weaves collected over his two-decade career. Sobrepeña appreciated how Espina’s designs not only complemented the dancers’ movements but also paid homage to traditional craftsmanship. The vibrant colors and intricate patterns of his creations swirled gracefully in the pas de deux and grand adagio, reinforcing the ballet’s visual storytelling. Espina himself remarked on the synergy between ballet and fashion, emphasizing that both disciplines share an emphasis on lines, movement, and silhouette—an observation that resonated deeply with the evening’s performance.
Artistic Director Mikhail Martynyuk’s vision was another element that captivated Sobrepeña. She noted his reference to relevé, a movement in which dancers rise to their toes—a fitting metaphor for Ballet Philippines’ evolution and innovation. For Martynyuk, “Ang Panaginip” was more than just another production; it was a challenge for the dancers to push their limits, mastering intricate rhythms and demanding technical precision. Sobrepeña recognized this commitment to excellence in the way each movement was executed with both strength and grace.
An evocative orchestral score
The inspiration for the ballet, as relayed by Ballet Philippines President Kathleen Liechtenstein, stemmed from an illustrated comic book that she shared with Martynyuk during a family vacation. His immediate enthusiasm led to the rapid development of a storyline and musical mapping, which composer Glenn Aquias then transformed into an evocative orchestral score. Sobrepeña admired the haunting beauty of the music, infused with the sounds of Filipino instruments, which added layers of depth and emotion to the performance.
Celebrating Filipino culture and identity
The ballet’s set design drew from the natural beauty of the Philippines, particularly the Seven Falls in Lake Sebu. Martynyuk’s vision of blending the real and the fantastical transported audiences into a world where dreams and reality intertwined. Sobrepeña found herself fully immersed in the narrative, following the journey of 18 princesses—each representing a Philippine region—who longed for freedom beyond the constraints of their palace. Their struggles and triumphs reflected broader themes of self-discovery and empowerment, making the ballet’s message deeply resonant.As the final note lingered in the air and the dancers took their bows, the spontaneous applause reaffirmed the performance’s impact. For Sobrepeña, “Ang Panaginip” was not only a technical and artistic triumph but also a powerful celebration of Filipino culture and identity—one that left a lasting impression on all who witnessed its magic. Read Anna Isabel C. Sobrepeña’s full story in Inquirer Lifestyle.
Pilar Gonzalez of Lifestyle Asia, shares her thoughts on “Ang Panaginip,” Ballet Philippines’ full-length Filipiniana ballet that closed its 55th season, saying that the performance was “an ethereal spectacle of choreography paired with brilliant Filipiniana costuming,” with the production’s seamless blend of movement, music, and cultural storytelling. Furthermore, for Gonzalez, “the choreography was front and center,” flowing between moments of delicate grace and powerful intensity, perfectly in sync with Glen Aquias’ grand orchestral score. Meanwhile, designer Jor-el Espina’s costumes were a big highlight, crafted from indigenous Filipino textiles, added another layer of artistry, transforming the dancers into living embodiments of Philippine heritage.
A Moving Testament to Independence and Inner Strength
Beyond its visual and technical brilliance, Gonzalez captured the ballet’s deeper narrative of empowerment and self-discovery. Following 18 princesses—each representing a region of the Philippines—as they longed for freedom beyond their palace walls, the eldest sister, Matalino, led them to a hidden world where they could dance without restriction, a powerful metaphor for breaking free from societal expectations. Yet, their mother, the Queen, symbolized both protection and the weight of tradition, embodying the complexities that many women face in balancing personal dreams with external pressures.
Redefining Fairytales: Celebrating Filipina Strength Through Dance
In reflecting on the ballet’s significance, Gonzalez narrates the librettist Mawi Fojas de Ocampo’s insights. Through an exclusive interview with Gonzalez, De Ocampo explained that “Ang Panaginip,” premiering during Women’s Month, was designed to challenge conventional fairytales and celebrate the strength of Filipinas. Ballet Philippines President Kathleen Liechtenstein further reinforced this idea, noting how the production mirrored real-life struggles and triumphs of women carving their own paths in society.“Ang Panaginip” was more than just a mesmerizing ballet—it was a statement on identity, resilience, and the power of choice. As the final act concluded and the dancers took their bows, they left the theater with a renewed appreciation for ballet as not just an art form, but a medium for storytelling, cultural expression, and social change. Read Pilar Gonzalez’s take on “Ang Panaginip” in Lifestyle Asia here.
“Ang Panaginip”—a story that highlights the power of dreams and the beauty of self-expression.”
In her story for GMA Lifestyle, Hazel Jane Cruz writes: Ballet Philippines’ “Ang Panaginip” followed the story of 18 Filipina princesses. On Sunday, March 2, Ballet Philippines successfully concluded its 2025 concert “Ang Panaginip.” It ran from February 28 and staged a total of five shows at The Theatre at Solaire. “Ang Panaginip” also marked the end of the 55th season of Ballet Philippines.
The author narrates that ‘“Ang Panaginip” is a full-length Filipiniana ballet directed by Mikhail Martynyuk, with exquisite costumes by renowned Filipiniana designer Jor-el Espina and an evocative score by Glenn Aquias. It followed the lives of 18 princesses who “yearned for freedom beyond their palace walls.’”
In addition, she elaborates, “Aside from giving a platform to the talent of Filipina ballet dancers, ‘Ang Panaginip’ also paid homage to Filipino culture through Jor-El’s designs and Filipinianas that represented 18 regions from the country: Matalino, Sinag, Alon, Ligaya, Dalisay, Mayumi, Oragon, Kugihan, Dilaab, Kahilom, Bagani, Hiyas, Teodora, Sibol Giliw, Tala, Bantay, and Teresita.” She also mentioned that “On the opening night, Ballet Philippines President Kathleen Liechtenstein was present at the event and appeared grateful for the support ‘Ang Panaginip’ has received, who shared, “‘Tonight, I stand in deep gratitude as we end our 55th season. None of these would be possible without you. You, our audience, you, our supporters, fellow dreamers, you fuel our passion, lift our artistry, and help us extend the inspiring power of ballet to communicate far and wide,’ said Kathleen.” Read the full story by Hazel Jane Cruz in GMA Lifestyle.