Daily Tribune shares that “Ang Panaginip” was a love letter to Philippine heritage that was brought to life through a neo-ballet, intertwining movement with the vibrant beauty of the fabrics of our culture. Ballet Philippines presented a fresh, celebratory production — one that delighted the senses, uplifted the spirit and reimagined Filipino dance with a modern, visually captivating flair.
The gala evening was a stunning showcase of Filipino artistry and elegance. Guests arrived in exquisite Filipiniana, setting the stage for a performance that honored cultural heritage with grace and sophistication. Ballet Philippines President Kathleen Liechtenstein welcomed audiences, emphasizing that the production celebrated the modern Filipina—one who dares to dream without limits, defies expectations, and takes charge of her own destiny. The ballet’s narrative unfolded with a libretto by Mawi de Ocampo, original music by Glenn Aquias, an AI-driven set design, and choreography by Artistic Director Misha Martynyuk. However, it was Jor-el Espina’s breathtaking Filipiniana costumes that emerged as one of the evening’s most striking elements, blending tradition with innovation through masterfully crafted designs inspired by the country’s diverse regions.Read Daily Tribune’s full story by Luis Espiritu: ‘Ang Panaginip’: You fuel our passion, lift our artistry, and help us extend the inspiring power of ballet.
Ballet Philippines’ season finale, “Ang Panaginip,” was more than just a ballet—it was a grand celebration of Filipino heritage, where movement, music, and fashion intertwined seamlessly. As the lights dimmed at The Theatre at Solaire, the audience was treated not only to a spectacular neo-classical ballet but also to a breathtaking display of Filipiniana elegance, both on and off the stage.
Sheree Chua, Anna Sobrepeña, Mercedes Zobel, Lulette Monbiot, Kathleen Liechtenstein and Bernadette Aboitiz
An Evening Of Filipiniana Elegance
From the moment guests arrived, it was clear that “Ang Panaginip” was no ordinary performance. The Board of Trustees of Ballet Philippines, along with distinguished guests and patrons, came dressed in exquisite Filipiniana ensembles, mirroring the breathtaking costumes that would soon grace the stage.
Sheree Chua and Tiffany Chua Copok
The theater lobby transformed into a showcase of Philippine fashion, with intricately embroidered ternos, barongs woven from piña fabric, and modern interpretations of traditional attire setting the tone for an evening steeped in culture and artistry.
Lulette Monbiot and Mercedes Zobel
As the 1,740-seat theater filled, the anticipation was palpable. Ballet Philippines President Kathleen Liechtenstein welcomed the audience, sharing the vision behind “Ang Panaginip.”
“Tonight, we celebrate the Filipina—one who dares to dream without limits, boldly defies expectations, and rewrites her own happy endings,” she declared. “Through a new original Filipiniana ballet, ‘Ang Panaginip’ pays tribute to our heritage, with stunning costumes by Jor-el Espina, music by Glenn Aquias, a libretto by Mawi de Ocampo, and choreography by our Artistic Director, Misha Martynyuk.”
Mercedes Zobel and Stanley Ng
The Magic of Jor-el Espina’s Designs
At the heart of the production was Espina’s masterful costume design. A celebrated advocate of indigenous textiles, Espina brought his passion for Philippine craft to life by creating ensembles that represented the diverse regions of the country. His designs blended traditional weaves with modern silhouettes, resulting in a visual feast of rich textures, bold hues, and exquisite detailing.
Lauren Liechtenstein, Kathleen Liechtenstein, Jor-el Espina and Bernadette Aboitiz
Espina sourced fabrics from his personal 20-year collection, integrating intricate beadwork, handwoven fabrics, and classic Filipiniana elements. Each princess’s costume reflected the region she symbolized, reinforcing the ballet’s tribute to the country’s rich cultural tapestry. As the dancers twirled and leaped across the stage, their costumes flowed like moving art, adding depth and vibrancy to every scene.
Anna Sobrepeña, Atty. Lorna Kapunan, and Jo Ann Bitagcol | Vicky Santos, Bernadette Aboitiz and Lauren Liechtenstein
An Enchanting Fusion of Tradition and Innovation
“Ang Panaginip” was more than just a nostalgic nod to Filipino culture—it was a fresh and modern interpretation of heritage through dance. The production moved beyond conventional folk influences, incorporating neo-classical ballet, dance pantomime, and contemporary movement. Artistic Director Martynyuk shared, “As part of our 55th Season themed Relevé, which signifies rising to new heights, this production embodies both ascent and transformation.”
Mikhail Martynyuk and Elya Martynyuk
He revealed that the set design was inspired by Philippine landscapes, including the breathtaking Seven Falls in Lake Sebu. This fusion of natural beauty and artistic imagination transported the audience into a dreamlike world, where storytelling and movement became one.
Philip Monbiot and Lulette Monbiot
A Triumph of Filipino Artistry
As the final notes of the original score played and the dancers took their bows, the audience erupted into applause. More than just a performance, “Ang Panaginip” was an immersive experience—one that highlighted Filipino talent, creativity, and cultural pride.
Maribel Calma and Carlo Calma
With Ballet Philippines’ Board of Trustees and guests fully embracing the theme through their own stunning Filipiniana attire, the evening was a true testament to the power of art in uniting tradition with contemporary expression. In celebrating the beauty of Philippine fashion, dance, and storytelling, “Ang Panaginip” proved that dreams—like heritage—are meant to be lived and shared.
Ballet Philippines’ 55th season came to a breathtaking close with “Ang Panaginip,” an original full-length Filipiniana ballet that redefined the traditional fairytale. For Carby Rose Basina of GMA News Online, “the show fuses cultural heritage with the power of self-discovery, presenting a story that speaks to the modern Filipina and her limitless potential.”
A Story of Self-Discovery and Freedom
At the heart of “Ang Panaginip” is the story of 18 princesses, each symbolizing a region in the Philippines. Unlike typical fairy tales where princesses await rescue, these young women take control of their own destinies. Through a mysterious portal, they escape the confines of royal life and enter an enchanted world where they can finally pursue their true aspirations—whether as a violinist, ballet teacher, doctor, or astrologer. This powerful reimagining resonated deeply, serving as a tribute to Filipinas who challenge societal norms and carve their own paths.
Breaking Away from Traditional Narratives
Ballet Philippines President Kathleen Liechtenstein shared with GMA News Online that “Ang Panaginip” was deliberately crafted to break away from conventional narratives. “We aimed to present a not-so-conventional fairytale—this Filipina princess does not need a Prince Charming to save her—showcasing the reasons to celebrate the multi-hyphenate modern Filipina,” she explained. This vision was seamlessly woven into the ballet, from its storyline to its intricate costumes that represented the country’s diverse cultural heritage.
As the production took shape, the creative team envisioned each princess as an embodiment of the Philippines’ 18 regions. More than just characters, they became symbols of every Filipina who refuses to be confined by tradition and instead embraces her individuality. Their journey reflected the universal struggle of women striving for self-discovery while honoring their roots. “Despite their differences, they have a common dream—to live beyond the confines of their palace walls and pursue their goals while remaining authentic to themselves,” Liechtenstein emphasized.
Fashion as a Storytelling Tool
One of the most striking elements of “Ang Panaginip” was its use of fashion as a storytelling tool. Renowned designer Jor-el Espina, known for his advocacy of indigenous textiles, collaborated closely with Ballet Philippines to create costumes that were both elegant and deeply rooted in Filipino culture. He sourced fabrics from his personal 20-year-old collection, incorporating intricate beadwork and regional patterns. The result was a stunning visual display that complemented the dancers’ movements, reinforcing the ballet’s message of cultural pride and individuality.
“Through Jor-el’s enduring love for Filipino design and BP’s Artistic Director Mikhail Martynyuk’s neo-classical choreography, it was a perfect collaboration with Ballet Philippines,” Liechtenstein noted.
A Celebration of Identity and Dreams
Basina writes, “More than a ballet, ‘Ang Panaginip’ is an invitation for audiences, especially those from the provinces, to see themselves in the characters and embrace the rich cultural tapestry of the Philippines.”
The production not only showcased the artistry of Filipino dance but also sent a powerful message about self-empowerment and the richness of Philippine heritage. It reminded viewers that the Filipino identity is woven together by personal dreams and collective aspirations.As the final act unfolded and the dancers took their bows, Ang Panaginip left an undeniable impact. The performance was a testament to the evolving narrative of the Filipina—one of strength, ambition, and boundless potential. Through this ballet, Ballet Philippines not only honored tradition but also redefined what it means to dream. Read Carby Rose Basina’s full story of “Ang Panaginip” in GMA News Online.
For Anna Isabel C. Sobrepeña, Ballet Philippines’ “Ang Panaginip” was more than just a performance—it was a mesmerizing fusion of movement, music, and cultural artistry. As she witnessed the company’s 55th season finale unfold, she was struck by the seamless interplay of dance and design, set against a backdrop of Philippine heritage.
The evening began with a vibrant cocktail reception at The Theatre at Solaire, where guests arrived in elegant, modern interpretations of the national dress. The anticipation was palpable, and the theater itself became a stage for celebrating Filipino artistry even before the curtain rose. Once inside, Sobrepeña was transported into a dreamlike world where choreography and costume combined to tell a uniquely Filipino story.
Homage to traditional craftsmanship
A highlight of the production was the collaboration between Ballet Philippines and designer Jor-el Espina, whose costumes masterfully incorporated indigenous weaves collected over his two-decade career. Sobrepeña appreciated how Espina’s designs not only complemented the dancers’ movements but also paid homage to traditional craftsmanship. The vibrant colors and intricate patterns of his creations swirled gracefully in the pas de deux and grand adagio, reinforcing the ballet’s visual storytelling. Espina himself remarked on the synergy between ballet and fashion, emphasizing that both disciplines share an emphasis on lines, movement, and silhouette—an observation that resonated deeply with the evening’s performance.
Artistic Director Mikhail Martynyuk’s vision was another element that captivated Sobrepeña. She noted his reference to relevé, a movement in which dancers rise to their toes—a fitting metaphor for Ballet Philippines’ evolution and innovation. For Martynyuk, “Ang Panaginip” was more than just another production; it was a challenge for the dancers to push their limits, mastering intricate rhythms and demanding technical precision. Sobrepeña recognized this commitment to excellence in the way each movement was executed with both strength and grace.
An evocative orchestral score
The inspiration for the ballet, as relayed by Ballet Philippines President Kathleen Liechtenstein, stemmed from an illustrated comic book that she shared with Martynyuk during a family vacation. His immediate enthusiasm led to the rapid development of a storyline and musical mapping, which composer Glenn Aquias then transformed into an evocative orchestral score. Sobrepeña admired the haunting beauty of the music, infused with the sounds of Filipino instruments, which added layers of depth and emotion to the performance.
Celebrating Filipino culture and identity
The ballet’s set design drew from the natural beauty of the Philippines, particularly the Seven Falls in Lake Sebu. Martynyuk’s vision of blending the real and the fantastical transported audiences into a world where dreams and reality intertwined. Sobrepeña found herself fully immersed in the narrative, following the journey of 18 princesses—each representing a Philippine region—who longed for freedom beyond the constraints of their palace. Their struggles and triumphs reflected broader themes of self-discovery and empowerment, making the ballet’s message deeply resonant.As the final note lingered in the air and the dancers took their bows, the spontaneous applause reaffirmed the performance’s impact. For Sobrepeña, “Ang Panaginip” was not only a technical and artistic triumph but also a powerful celebration of Filipino culture and identity—one that left a lasting impression on all who witnessed its magic. Read Anna Isabel C. Sobrepeña’s full story in Inquirer Lifestyle.
Pilar Gonzalez of Lifestyle Asia, shares her thoughts on “Ang Panaginip,” Ballet Philippines’ full-length Filipiniana ballet that closed its 55th season, saying that the performance was “an ethereal spectacle of choreography paired with brilliant Filipiniana costuming,” with the production’s seamless blend of movement, music, and cultural storytelling. Furthermore, for Gonzalez, “the choreography was front and center,” flowing between moments of delicate grace and powerful intensity, perfectly in sync with Glen Aquias’ grand orchestral score. Meanwhile, designer Jor-el Espina’s costumes were a big highlight, crafted from indigenous Filipino textiles, added another layer of artistry, transforming the dancers into living embodiments of Philippine heritage.
A Moving Testament to Independence and Inner Strength
Beyond its visual and technical brilliance, Gonzalez captured the ballet’s deeper narrative of empowerment and self-discovery. Following 18 princesses—each representing a region of the Philippines—as they longed for freedom beyond their palace walls, the eldest sister, Matalino, led them to a hidden world where they could dance without restriction, a powerful metaphor for breaking free from societal expectations. Yet, their mother, the Queen, symbolized both protection and the weight of tradition, embodying the complexities that many women face in balancing personal dreams with external pressures.
Redefining Fairytales: Celebrating Filipina Strength Through Dance
In reflecting on the ballet’s significance, Gonzalez narrates the librettist Mawi Fojas de Ocampo’s insights. Through an exclusive interview with Gonzalez, De Ocampo explained that “Ang Panaginip,” premiering during Women’s Month, was designed to challenge conventional fairytales and celebrate the strength of Filipinas. Ballet Philippines President Kathleen Liechtenstein further reinforced this idea, noting how the production mirrored real-life struggles and triumphs of women carving their own paths in society.“Ang Panaginip” was more than just a mesmerizing ballet—it was a statement on identity, resilience, and the power of choice. As the final act concluded and the dancers took their bows, they left the theater with a renewed appreciation for ballet as not just an art form, but a medium for storytelling, cultural expression, and social change. Read Pilar Gonzalez’s take on “Ang Panaginip” in Lifestyle Asiahere.
This episode of Bilyonaryo’s It’s a Beautiful Day highlights “Ang Panaginip” an original full-length Filipiniana ballet by Ballet Philippines that celebrates the strength and spirit of the modern Filipina.
With breathtaking designs by renowned fashion designer Jor-El Espina, the production tells the inspiring story of 18 princesses who defy traditional expectations and embark on a journey of self-discovery and empowerment.
The episode features exclusive insights from Ballet Philippines President and CEO Kathleen Liechtenstein and designer Jor-El Espina, who discuss the creative vision and cultural significance behind this groundbreaking performance.It is an in-depth look at how “Ang Panaginip,” Ballet Philippines’ 55th Season Ender is redefining the Filipino ballet experience. Watch the full episode of It’s a Beautiful Dayhere.
Ballet Philippines’ Ballet Brigade recently embarked on a meaningful journey to the highlands of Bukidnon, deepening its commitment to connecting communities through dance. Engaging with the seven tribes of the region—the Talaandig, Higaonon, Bukidnon, Umayamnon, Matigsalog, Pulangiyen Manobo, and Tigwahanon—the company fostered a powerful exchange of culture, tradition, and artistry.
Ballet Philippines, led by President Kathleen Liechtenstein and Trustee Sheree Chua, were welcomed with great reverence by the Talaandig elders of Songco in Lantapan. A sacred Pamuhat ritual at the Peace Hall in Mayantudug set the tone for the visit, invoking spiritual blessings for the occasion.
A captivating exchange of dances followed, as Talaandig elders performed their traditional movements, their feet resonating with the earth’s rhythm. In return, Ballet Philippines’ dancers shared their own craft, bridging two distinct yet equally expressive art forms. The ballerinas had the honor of learning the Dugso, a ceremonial Talaandig dance, while Bai Ipang, a revered elder, experienced ballet’s elegant allongé. This exchange underscored a shared respect for dance as both storytelling and cultural preservation.
“An unforgettable moment—so moving, we performed three encores,” BP President Kathleen Liechtenstein recounted.This is Datu Waway Saway, the tribe leader who traces his ancestors to the Great Flood survivors. He is very charismatic and greatly talented in visual arts and music. He performed his song at the Lincoln Center for the Julliard School of Music. He will perform live chant for the Mindanao full-length ballet . Mindanao will be an original full length ballet about the many tribes of Mindanao and how unity and harmony turned it into a paradise! Watch out for it Sept 2027.
On the second day, the company visited Lantapan National High School, where nearly 100 students were introduced to ballet through an immersive workshop. The session culminated in a vibrant showcase, met with enthusiastic applause from the school community.
The Ballet Brigade’s journey extended to Kitaotao, Quezon, and Malaybalay, where performances near significant monuments by Lawig Diwa President Kublai Millan transformed public spaces into artistic stages. These performances brought audiences together in a shared celebration of movement and heritage. This extraordinary collaboration—made possible through the efforts of Lawig Diwa Inc. and the Talaandig community—demonstrates the power of dance in preserving tradition and building bridges between cultures. Through these exchanges, Ballet Philippines continues its mission of inspiring and uniting communities, proving that the language of movement knows no borders.
At the heart of Ballet Philippines’ continued excellence and evolution is the steadfast leadership of our President, Kathleen Liechtenstein. With her unwavering dedication, vision, and passion for the arts, she has played an instrumental role in uplifting Filipino ballet to greater heights.
From championing excellent productions to nurturing the next generation of dancers, her influence resonates both on and off the stage. Her commitment to excellence ensures that Ballet Philippines remains a beacon of creativity and artistic brilliance.
Today, we extend our heartfelt appreciation to Kathleen Liechtenstein—a true leader, visionary, and passionate advocate of dance.
Thank you for inspiring us to rise, just as ballet always does.
Last Friday, December 20, Ballet Philippines had the honor of hosting internationally acclaimed choreographer Alexander Ekman for an exclusive masterclass. Known for his bold and innovative approaches to ballet, Ekman brought not only his technical expertise but also his refreshing perspective on the art form to our studio.
Ekman’s reputation as a trailblazer is well-earned. His 2014 production of A Swan Lake made waves by reimagining the iconic ballet with a stage filled with water. “The water came first,” he explained, revealing how the unconventional idea shaped his creative process. “I love starting with tradition because it’s something we can all relate to, and then I like to break it. It’s fun to do unexpected things from a traditional base.”
With over 20 years of experience working with ballet companies worldwide, Ekman has observed a striking evolution in the art form. “The athleticism of ballet has grown tremendously,” he said. “It’s amazing to see how much stronger and more technical dancers have become.” Yet, for Ekman, the essence of ballet lies in its power to foster human connection. “Theatre is where we come together as a community,” he shared. “It’s about creating moments of presence and connection through performance.”
Ekman’s visit to the Philippines was fueled by curiosity and personal ties. “I’ve always wanted to come here,” he said. His best friend, a Filipino who hadn’t returned to the country in 25 years, encouraged the trip. “I was curious to discover the dance scene here and make new connections.” His enthusiasm and openness to exploring new cultures reflect his broader belief in the international and inclusive nature of dance.
For emerging choreographers and dancers, Ekman offered words of wisdom grounded in hard work and authenticity. “Ask yourself: What’s my original voice? What do I want to say?” he advised. “And always work with joy and pleasure. Remember why we’re here—to create happiness through human connection.”
Alexander Ekman’s masterclass was more than a technical session; it was an inspiring glimpse into the mind of an artist who constantly pushes boundaries while staying true to the core of ballet. His visit left Ballet Philippines’ dancers enriched and energized, ready to carry forward his vision of breaking traditions and forging deeper connections through dance.
This morning, Ballet Philippines took center stage on Bilyonaryo News Channel’s “It’s a Beautiful Day,” captivating viewers with a behind-the-scenes look at the world of ballet. President & CEO Kathleen Liechtenstein, together with principal dancers Jemima Reyes and Ian Ocampo, shared insights into the artistry, dedication, and community work that make BP a cultural institution.
Discover the Magic of Peter Pan
One of the highlights of the discussion was Ballet Philippines’ upcoming Christmas production, Peter Pan. The team shared a sneak peek into how this timeless tale is being brought to life with BP’s signature flair, promising a superb experience for audiences of all ages.
The Road to Becoming a Principal Dancer
Jemima Reyes and Ian Ocampo, two of BP’s most talented principal dancers, opened up about the rigorous training and dedication it takes to reach the top in ballet. From countless hours in the studio to the thrill of performing onstage, their stories revealed the passion and perseverance required to excel in this demanding art form.
Giving Back Through the Ballet Brigade
Beyond the stage, Ballet Philippines is making a difference in communities through its Ballet Brigade projects. These outreach initiatives aim to share the beauty of dance with underserved audiences, creating opportunities for everyone to experience the transformative power of ballet.
Life Onstage vs. Offstage
The segment also touched on the fascinating contrasts between a dancer’s life onstage and offstage. While the spotlight reveals grace and artistry, life behind the scenes involves hard work, discipline, and a deep commitment to the craft.
Watch the Full Interview
Get inspired by the stories, dedication, and passion behind Ballet Philippines. 📺Watch the full interview on It’s a Beautiful Day and learn more about how BP continues to elevate the art of dance.
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